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您听过化腐朽为神奇,没听过「化牛粪为鑽石吧」,中研院院士毛河光,就研究出把牛粪变成鑽石的方法,一个礼拜就可以「长」出两克拉的鑽石,而且品质和几百万年才能结晶的鑽石,几乎没有两样,但可让珠宝业者担心受到衝 我有一片佳锋的卡VG4C-V,每当电脑不正常关机时,之前的设定都会不见,请教各位大大先进,有什麽办法可解决,谢谢

s of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, 地底奇观





on is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。因素造成珊瑚礁大量减少,保持水底原始风貌并不容易。 深邃的道路

少了我的陪伴

太阳依旧升起

黎明的曙光照耀

点缀这片黑暗

信念的羽翼 以下照片不是本人。因身边没相机无法拍自已的穿搭,在网络找了几张照片,这几张刚好跟我平常的穿搭差不多010802102310_32785.jpg"   border="0" />


美联社报导,佛罗里达潘尼坎普珊瑚礁州立公园(John Pennekamp Coral Reef State Park) 50年前获得美国首家「水下公园」称号,但几十年仍保持创立之初风貌。 有一个跟我感情满好的大学同学


受到民众高度关切的日月潭缆车终于在2009年12月24日通过主管机关南投县政府的核准下,确定于12月28日开通给游客抢先体验,势必引起一波新热潮,喜欢嚐鲜的游客千万别错过。 因为今年有打算要去看
想问问有去过F1的人是怎麽订票
恩,顺便问一下,咖啡豆有差别吗?我是说煮的时间??我是用曼特宁的。

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